Peress began working as a photographer in 1970, embarking on an intimate portrayal of life in a French coal mining village as it emerged from the ashes of a debilitating labor dispute. He then joined Magnum Photos, the prestigious photography agency founded by Robert Capa.
Peress soon traveled to Northern Ireland to begin an ongoing 20-year project about the Irish civil rights struggle. One of his most famous pictures from this period captures a young man named Patrick Doherty moments before he was killed whilst crawling to safety in the forecourt of the Rossville flats during Bloody Sunday (1972).
"Power in the Blood," a book that synthesizes his years of work in Northern Ireland, is the first part of his ongoing project called Hate Thy Brother, a cycle of documentary stories that describe intolerance and the re-emergence of nationalism in the postwar years. Farewell to Bosnia was the first part of this cycle, and The Silence, a book about the genocide in Rwanda, was the second.
In 1979 Peress traveled to Iran in the midst of the Revolution. His highly regarded book, Telex Iran: In the Name of Revolution, is about the fragile relationship between American and Iranian cultures during the hostage crisis.
Peress has also completed other major projects, including a photographic study of the lives of Turkish immigrant workers in Germany, and a recent examination of the contemporary legacy of the Latin American liberator Simon Bolivar.
"I work much more like a forensic photographer in a certain way, collecting evidence. I've started to take more still lifes, like a police photographer, collecting evidence as a witness. I've started to borrow a different strategy than that of the classic photojournalist. The work is much more factual and much less about good photography. I don't care that much anymore about "good photography." I'm gathering evidence for history, so that we remember"
– Gilles Peress, U.S. News, October 6, 1997
დიდი ინფორმაცია სამწუხაროდ არ მოიპოვება ამ ფოტოგრაფის შესახებ
